PLANNING - Antagonist

Dictionary.com defines an antagonist as a:

1. a person who is opposed to, struggle against, or competes with another; opponent; adversary.

2. the adversary of the hero or protagonist of a drama or other literary work.

My antagonist is a disturbed stalker. At the beginning of the opening scene we see his disturbing lifestyle. This is to give the audience a sense of unease. He is tall to give him a sense of power. He will be wearing a black hat, a black rain mac, black trousers, and black shoes. This is to cover his identity, but yet to let the audience know he is human. If I can't get the lighting right to cover his face, I will use some sort of mask. I may use leggings, or tights as this would allow the actor to see, yet it will still cover their face.

PLANNING - Location

At the start of the scene it is in a girl's bedroom. I can do this probably in most bedroom's in any house. As I want the audience to identify that it is a girl's bedroom, I want to make sure the walls are either whit, pink, purple, or cream. Also as the scene has the girl's getting ready, I want there to be make up,  a mirror, and clothes scattered around the room. 

For the killer's house I will film the outside of the shed in my garden, as the windows are broken. Its also is dark inside. As the inside of it is too small, it would be hard to create the atmosphere I want, and to put props in place. Therefore I will film the scene in my room at night, and the key to the scene will be the lighting. This is because I want the audience to see what the killer is doing, yet not see what he looks like.

The next scene is on the corner of one of Wimbledon's main roads The Broadway. This road is very busy and will be hard to get a shot without it being interfered with. Therefore I will try to shoot it at around 2 when people are still at work. After this I want the stalking scene down the road from The Broadway to Wimbledon underground station. This road is very long and will be impossible to film down without being interfered with. To counteract this problem I will just film down a different road which is more secluded. 

The final scene is in Wimbledon underground station. I will try to film the scene on the last train at night, or the first one in the morning. This is because I want an empty train to do this.